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FS社新作《The Duskbloods》被批素材复用严重！像PS4《血源》_我的网站

一 |     Jaideep Ahlawat reflected on the complexity of returning to a character in a sequel at the Filmfare OTT Awards 2025, co-powered by Hyundai in association with Amanté’s press conference. To emphasise the same, he referenced his fan-favourite character Hathiram Chaudhary from Paatal Lok as a prime example. He recalled a defining moment from Season 1, where Hathiram describes the system as something that appears shabby on the outside but functions as a “well-oiled machine” within. He went on to recall how the character’s understanding was of a place where only the lever changes, never the machine. That understanding, Ahlawat said, shapes Hathiram’s worldview: no matter how hard he tries, he remains a tiny cog in a massive, unchanging structure.     Picking up the character three years later in Season 2 presented its own challenges. Ahlawat explained that Hathiram is still stuck in the same chair, still the smallest part of the same system. The real task, he said, was portraying the “three-year fatigue”. This fatigue was growing with the boredom, the emotional distance from Ansari, and the ever-evolving but strained bond with his son. He recalled how, in the early episodes, Hathiram even steps into the background as Ansari rises in rank. However, his instinct as a top-tier investigator never truly fades.                                                                 View this post on Instagram          A post shared by Filmfare (@filmfare)               Ahlawat went on to note that despite Hathiram’s frustration and reluctance, the moment a case takes an unexpected turn, “the investigating officer inside him wakes up,” driven not by ambition but by an irrepressible need for the truth. The actor highlighted the difficulty of balancing that very contradiction: a man who is exhausted by the system. And despite that, he is unable to exist without the thrill of uncovering what lies beneath.     As the season progresses, Hathiram enters a space where he has no authority, no familiarity with the terrain, no power whatsoever. Yet he keeps going, only to find that, in the end, nothing changes. He returns to the same system, the same roles, the same limitations. “That’s the challenge of a sequel,” Ahlawat said. “The surprise is gone, and now the character must grow without losing what made him who he is.” This complexity is why he believes that sequels will always be harder to imagine and create than the first season of a show.      The Filmfare OTT Awards 2025 are set to take place on 15th December 2025. Keep watching this space for all the updates.      Also Read: Jaideep Ahlawat Shares His Journey and Creative Insights on Filmfare OTT Showcase!。    由你来说：FS社新作《The Duskbloods》被批素材复用，玩家戏称FS社老传统了。你对“素材复用”的接受程度是怎么样的？近日，有玩家在社区发帖吐槽FS社新作《The Duskbloods》（暂译《黄昏血族》）的素材复用问题，认为游戏中的部分场景与FS社此前作品过于相似。    该玩家表示，自己只玩过《艾尔登法环》和《艾尔登法环 黑夜君临》，在体验《黄昏血族》时发现，游戏刚进入某个场景便产生了强烈的既视感，直言“这场景完全就是《艾尔登法环 黑夜君临》的翻版”，并询问这是否属于FS社一贯的素材复用风格。    对此，有玩家认为FS社在贴图、模型以及动作等方面的复用确实比较明显，但这并不是什么严重的问题。“素材复用是很正常的事，不是什么大逆不道的过错”，只要游戏本身好玩，玩家并不会太过在意。

二 |     还有玩家表示，这种情况在FS社作品中早已不是新鲜事，并调侃称，过去《艾尔登法环》试玩时期，IGN相关试玩视频的弹幕中就经常出现“祖传骷髅”“祖传挠头”“祖传开门”等调侃。    也有玩家认为，FS社作品之间复用的不只是场景，贴图、模型和动作都存在明显的继承关系，看到游戏中的建模和动作，就能立刻感受到熟悉的FS社风格。    不过，对于《黄昏血族》到底更像哪一部作品，玩家之间也出现了不同意见。有玩家认为部分场景其实更接近《血源》。    从玩家讨论来看，FS社长期以来较为明显的素材复用已经成为其作品的一大特色。对于老玩家而言，这种复用既可能带来似曾相识的感觉，也被部分玩家视为FS社魂系风格的一部分。至于《黄昏血族》的具体素材复用程度，则仍要等游戏正式推出后才能进行更全面的判断。本文由游民星空制作发布，未经允许禁止转载。

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